This post is really late. I was sick for a couple of days, so I didn’t have the peace of mind to write up a post – that is also, why this one is short and also contains only one image.
I agree with Sascha, shooting images of people is really the greatest thing to do with a camera. It is also the most threatening in a way. If you misrepresent a landscape, the grass and trees, rivers and mountains won’t be mad at you. It’s hard to be unflattering to something that has no agency, feelings or emotions itself.
If I take pictures of people, I feel a special responsibility. I want to capture a part of their personality – are they funny, serious, optimistic or grumpy in a way that speaks in a positive way about them. It does not have to be flattering in an aesthetic way, but the picture has to be representative of one aspect of the person, ideally – to me – one, that they think is representative of themselves, too.
I started with street portraits in Tanzania, for reasons I might tell you about later, and did some street photography portraiture, mainly of street musicians, because they are already public. Last year I began to set-up a small pop-up home studio with a backgrounds, speedlights and light-modifiers. I really like that situation, because one the one hand you can control every aspect of the light and on the other hand you can connect to the model with some intensity (and a coffee on the side).
This one was done for a co-worker who is a classically trained singer. What I really like is that it tells a great story of him as a person and of him in a stage-personality. It’s from my first studio-session ever, and still one of my favourites.
This time I have only one picture to share. In his last post Torsten asked me what is my favorite subject to shoot. It´s easy to answer: People! Or more specific: Street-Portraiture.
I like shooting people in a raw and authentic style as they are, but I always have to overcome my fears to talk to strangers and ask them for taking their picture. Although nobody ever rejects me, it´s always an exciting situation and sometimes I lost the chance of getting the picture when I start thinking about what to tell them. So now I try to force myself to stop thinking and just start shooting.
The people I´m interested in are those who are living a differend kind of life or besides society. I do not judge anyone, but sometimes I think, if I do not get their picture, maybe no one will ever know that they exist or what kind of problems they might have.
I met the guy in the picture in Los Angeles while I was travelling along the West Coast. We got eyecontact and when he saw my camera, he asked me to take his picture. So I positioned him in front of a garage and he started posing. He might be a drug addict or just a strange guy. I had no chance to know more about his background, because as soon as I took 3 or 4 pictures he went away. I really liked that guy, but probaly I will never see him again.
I think the real subject of this picture is the prejudice. You see a black guy with a gun pointing at you. But when you look closer you will see that he is holding a toygun in his hand. Things are not always what you expect. And if you follow the „Black-Lives-Matter“- Compaign you will get the point. That´s why this is my personal favorite photo I have ever taken.
Some time ago, I asked a friend of mine, whether I could make pictures of him in his stormtrooper uniform. As you might imagine, he said yes. There was a whole storm of ideas racing through my mind, some of which might come in the future.
The idea that prevailed was to set the sci-fi uniform in contrast to the futuristic architecture of the Ruhr-Uni-Bochum. I think, it’s a good fit. The uniform is highly iconic and dehumanizes the subject and the architecture that we see here is surely not inviting to the individual, either. It is still – at least to me – an ironic contrast. We tend to conceive of stormtroopers as hapless warriors, but their roots certainly lie in the horrific past of Germany, something that the university stands firmly against with all its values, even though it looks so uninviting.